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First pics are of the birthday cake I made for Tashi on the weekend. Heaps of chocolate.
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There she is, sweet 15. Best friend of Brianna.
AAAANNNNNND, how I worked out the Paris colourway.
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So here is the photo I love on the ipad. I've looked and decided that the most striking, or dominant colours are silver, blue, pale terracotta and stone. I asked Dean what he thought were the most significant colours and he basically said the same. Though he called the blue -grey!
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Once I've worked that out, it's about selecting which dye colour I have that most resembles the colours I want. Then I mix, dilute, saturate and play with them until I get it right. I usually do this on silk yarn or wool fibre.
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This grey is too dark, it's in the picture, but is too dominant and needs paling down. The first blue wasn't right either- which is why it's followed by a subtly different blue- so subtle you probably can't see the difference.
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Trying it out on mulberry silk. It's the same dark grey but it comes out different on fibre.
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Better blue and grey on the right.
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Once I'm kind of happy, I set it in the microwave and check it when it is dry. Luckily it's a hot day. It can look so different when it's dry. I don't dare dye a big batch until I have checked it dry.
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Yarns are silk, they wont get the cream colour that I set into the wool and slushie. There is only so much room on one hank. if I try and cram too many colours on, it becomes all about the secondary colours that are created at each transition.
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The real test for me of whether a colourway works or not is when I twist it into a spiral.
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So here is the slushie,
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and here is the mulberry silk. Did I get Paris? I am thinking I wont know that answer until I visit in the flesh. What do you think?
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